Changes made in video #1
Made her lips bigger
lowered her eyebrows
added on hair
made her eyes bigger
made her ear smaller
Changes made in video #2
made her eyes bigger
made her shoulder taller
made her tanner
made her skinnier
made her legs longer
made her feet shorter
made her legs taller
made her neck longer
Changes made in video#3
her legs were made skinner
her butt was made skinner
added on hair
got rid of the wrinkles
4. Is it ethically acceptable to change a person's appearance like these in a photo? Why or why not?
It is not ethically acceptable to change a person's appearance like these in a photo because
5. Are there circumstances in which it would be more ethically wrong to do this type of manipulation?
I think in all circumstance it would be ethically wrong to do this type of manipulation.
6. What types of changes are OK, and what aren't?
All changes to the body r the face are not okay i believe in less they get permission.
7. Explain what you think the differences are between fashion photography and photojournalism.
8. What relationship does each type of photography have to reality, and how does this affect the ethical practice of each?
Photo Journalism is reality yet fashion photography is not real.
9. Why do you think I am showing you these three videos?
I think you are showing us these three photos because you want us to see how to use photoshop.
10. Why are none of these videos about guys???
I think that none of these videos are about guys because girls are more photogenic and are easier to photoshop.
Friday, November 21, 2014
Wednesday, November 19, 2014
Magazine cover
Blog #1
1. Never trim a printout, mount it beautifully, and display it with its alternates on the finely polished surface of the conference-room table.
2. Gather copies of what your targets might be reading, including your competition, of course. Mock up an executive’s in-box or tabletop arrangement in some way, and place yours among them.
3.The screen is the wrong size, no matter how big it is. You can’t see it intimately as if it were in your hands.
4. An illusory likeness of the physical paper product that your potential buyer will ultimately be holding.
5. Print out all the alternates as hard copy, trim them accurately to magazine size and glue them onto old issues.
Blog #2
1.New York, May 20, Michael Douglas Is Liberace: formal
2.Bloomberg Businessweek, December 2–8, J Crew: Teaching the World to Dress American: informal
3.The New York Times Magazine, May 19, The Secret Lives of Germs: Environmental
4.Sports Illustrated, April 22, BOSTON5: environmental
5.ESPN The Magazine, September 16, Floyd Mayweather in The Fight Issue: Formal
6.The New York Times Magazine, November 24, The Flight Risk: Formal
7.Runner's World, December, Get Fit Have Fun: informal
8.O, The Oprah Magazine, September, Hair!: formal
9.Brides, October/November, Get Inspired!: formal
10.W, December/January, The Art Issue: formal
11.Harper's Bazaar, May, Summer Fashion Issue: formal
12.New York, February 18–25, Spring Fashion; formal
13.The Fader, February/March, Solange: formal
14.Wired, December, Bill Gates Wants You to Fix the World: formal
15.Vanity Fair, October, 100 Years: formal
16. ESPN The Magazine, July 22, Kenneth Faried in The Body Issue: informal
17.GQ, February, Beyoncé:formal
Blog #3
1. Never trim a printout, mount it beautifully, and display it with its alternates on the finely polished surface of the conference-room table.
2. Gather copies of what your targets might be reading, including your competition, of course. Mock up an executive’s in-box or tabletop arrangement in some way, and place yours among them.
3.The screen is the wrong size, no matter how big it is. You can’t see it intimately as if it were in your hands.
4. An illusory likeness of the physical paper product that your potential buyer will ultimately be holding.
5. Print out all the alternates as hard copy, trim them accurately to magazine size and glue them onto old issues.
Blog #2
1.New York, May 20, Michael Douglas Is Liberace: formal
2.Bloomberg Businessweek, December 2–8, J Crew: Teaching the World to Dress American: informal
3.The New York Times Magazine, May 19, The Secret Lives of Germs: Environmental
4.Sports Illustrated, April 22, BOSTON5: environmental
5.ESPN The Magazine, September 16, Floyd Mayweather in The Fight Issue: Formal
6.The New York Times Magazine, November 24, The Flight Risk: Formal
7.Runner's World, December, Get Fit Have Fun: informal
8.O, The Oprah Magazine, September, Hair!: formal
9.Brides, October/November, Get Inspired!: formal
10.W, December/January, The Art Issue: formal
11.Harper's Bazaar, May, Summer Fashion Issue: formal
12.New York, February 18–25, Spring Fashion; formal
13.The Fader, February/March, Solange: formal
14.Wired, December, Bill Gates Wants You to Fix the World: formal
15.Vanity Fair, October, 100 Years: formal
16. ESPN The Magazine, July 22, Kenneth Faried in The Body Issue: informal
17.GQ, February, Beyoncé:formal
Blog #3
Monday, November 10, 2014
American Solider
Part A:
1. I think the most powerful image is number 78 the one of Ian's mom crying. I think this because I like wow she is showing emotion.
Part B:
Set #1 At home in Denver
#1 - #7
Set #2
#8 - #49
Set#3
#50-#70
Set #4
#71-#82
I think that set four is the most powerful because almost all of those picture show some sort of emotion and also because its nice to know that he is ok.
Part C:
I think the images go well together because of the way the captions describe each photo, with out the captions the photos wouldn't really tell a story.
C part a:
In the photos in which Ian is the main subject of the verbs are written in presents tense.
4.
Photo Number 78
Anita cries as she sees her son Jacob after 5 months of him being Iraq.
Photo Number 1
Jacob is thinking hard about whether or not to call Sgt. Gavino Barron. He has been waiting a long time for this call.
Photo Number 6
Jacob hugs his best friends Brandon and Gerran as he prepares to go off to Denver Military Entrance Processing Station.
1. I think the most powerful image is number 78 the one of Ian's mom crying. I think this because I like wow she is showing emotion.
Part B:
Set #1 At home in Denver
#1 - #7
Set #2
#8 - #49
Set#3
#50-#70
Set #4
#71-#82
I think that set four is the most powerful because almost all of those picture show some sort of emotion and also because its nice to know that he is ok.
Part C:
I think the images go well together because of the way the captions describe each photo, with out the captions the photos wouldn't really tell a story.
C part a:
In the photos in which Ian is the main subject of the verbs are written in presents tense.
4.
Photo Number 78
Anita cries as she sees her son Jacob after 5 months of him being Iraq.
Photo Number 1
Jacob is thinking hard about whether or not to call Sgt. Gavino Barron. He has been waiting a long time for this call.
Photo Number 6
Jacob hugs his best friends Brandon and Gerran as he prepares to go off to Denver Military Entrance Processing Station.
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